By Howard Ingham and Nick Middleton
A note of explanation: Howard wrote the original version of this as a draft chapter for an Eternal Champioin book that never happened, and I approached him about reworking it for a Stormbringer fanzine project (that also never happened), which he generously agreed to. The version presented here is the one that would have seen print if that project had happened, but remains substantially Howard’s work. Howard’s original draft can be found in the files section of the Yahoo Eternal Champion Group (http://groups.yahoo.com/group/eternalchampion/). NDM
The sword struck back and forth, up and down, as if it battled invisible enemies. Elric scarcely kept his grip on it. It seemed that Stormbringer was frightened of the world it had detected and sought to drive it back but the act of seeking had in itself set them both in motion. Already Elric could feel himself being drawn through the darkness, towards something he could see very dimly beyond the myriad eyes, as dawn reveals clouds undetected in the night sky
Elric thought he saw the shapes of crags, pointed and crazy. He thought he saw water, flat and ice-blue. The stars faded and there was snow beneath his feet, mountains all around him, a huge, blazing sun overhead – and above that another landscape, a desert, as a magic mirror might reflect the contrasting character of he who peered into it – a desert, quite as real as the snowy peaks in which he crouched, sword in hand, waiting for one of these landscapes to fade so that he might establish, to a degree, his bearings. Evidently the two planes had intersected.
Chapter 2, “Elric at the End of Time”, Legends from the End of Time
It has been argued that there are at least as many methods of travelling through the multiverse as there are travellers. This makes travelling between planes or times (often the same thing, and often inexperienced travellers mistake one for the other) an insanely complicated business. But if a traveller knows what they are doing and when/where they are going their options are as wide as the multiverse itself.
Most people in the multiverse are only ever aware of one timestream, where they will spend the whole of their lives. Some rare individuals, however, find themselves, through circumstance, association, or simple accident of birth, able to explore the timestreams, the infinite planes, spheres and branches that form the multiverse in its infinite complexity. Some are flung against their will from one age into another. Others blend into their surroundings, forgetting for a time that they were ever anyone else. Others still transfer their very being from alternate self to alternate self, switching across scales of existence and changing by their actions the very nature of existence.
The rules - what rules there are - change from case to case. Indeed, by changing the rules, a talented time traveller (or “chrononaut”) can earn herself immortality, or lose her soul.
The Multiverse is comprised of an infinite number of universes, some more simple than others. They exist in a multitude of different shapes and characters, and have been pictured in many ways - as spheres, as branches on an infinite tree, as paths on an infinite moonbeam road. Every universe has its own timestream, which, although usually cyclical, might not run concurrently - or even in the same direction or at a constant relative rate - as other planes. These universes are often referred to as the “Million Spheres”, mainly because a million is easier to picture than an infinite number. And somehow, “Infinite Universes of Indeterminate Shape” just doesn’t have the same ring. Depending on who’s talking, a parallel universe might be referred to as a timestream, a branch, a plane or a sphere. The names are interchangeable. For clarities sake, each discrete universe or world will generally be referred to from here onwards as a plane or timestream, depending on whether we are discussing moving between different worlds (as happens at various times to Elric and Hawkmoon) or changing temporal position within a particular world (as happens to Oswald Bastable, amongst others). But the reader is cautioned that such distinctions are, in a sense, entirely artificial…
A plane can coexist in the same space as another plane, surrounding and enclosing it, with the inhabitants of both planes unaware that the other is there. Those who know how can travel to adjacent planes, either by natural ability, through the effect of crafted devices or natural phenomena.
Each plane can be separated from the nearest adjacent plane by minute differences - temporal or geographic differences between adjacent planes can be so small as to be negligible as when Corum escaped Earl Glandyth in the Knight of Swords (I, 6). In other parts of the multiverse, apparently adjacent planes can appear incredibly different.
Some parts of the multiverse are “granular”, where planes clump together very densely such that precisely distinguishing between two immediately adjacent planes is difficult if not impossible. In other parts of the multiverse it can be remarkably easy for those with the right skills or equipment to enter adjacent planes.
To further complicate matters, some planes for want of a better phrase “move” relative to others, such that they are only periodically (or even randomly) adjacent, whilst others (such as Corum’s Fifteen Planes) seem to exist for significant periods in a fixed relationship.
The Fifteen Planes are an example of a region of the multiverse that is both “granular” (like planes are exceptionally close together), easily traversed (Vadhagh can shift basically at will in to an adjacent plane) and affected by the wider dynamic of the Million Spheres: the basic fixed relations between the Fifteen Planes are distorted by the approaching Conjunction, making travel beyond the local five planes exceptionally difficult, and even shifting across to one of the adjacent five planes is difficult (hence Corum’s difficulty escaping Glandyth).
Planes often intersect with other planes at certain points in space and time. These joining points are rarely static - sometime they move - nor are they limited to adjacent or similar planes. In some areas of the multiverse a group of universes can intersect for centuries at a time; on other occasions the intersections between two or more similar planes can fluctuate, appearing and disappearing over time. Once in an eternity, there is a full Conjunction, in which every plane, just for a while, intersects every other, plane within plane, along every timestream. When this happens, great and possibly catastrophic changes affect every plane in the multiverse.
Intersections are not limited to adjacent planes, and can lead to vastly different worlds. Intersections appear in a multitude of ways. Sometimes they are obvious, sometimes you just need to know where to find them. Finding an intersection is the easiest possible way to travel between the planes, since all you have to do is walk across it.
Two Intersections
The catacombs beneath the Temple of the Future Buddha contain a gateway to every parallel Earth in which the temple exists. Those who have travelled through the Temple claim to have experienced bizarre nightmarish hallucinations, triggered in part by the inhuman and hideous carvings with which the temple walls are covered, before finding themselves in another timestream entirely. There is no way to control to where and when the Temple sends you, as at least one time-traveller has found out to his cost. You simply walk into the catacombs. When you come out again, you are somewhen else. The temple is situated in the ancient walled city of Teku Benga, capital of the tiny state of Kumbalari, situated at the meeting point of India, Nepal, Tibet and Bhutan. Although Teku Benga is destroyed in 1902 by an earthquake occurring in every scale in which it exists, the catacombs remain, and still have their power, although, as before, their effects are at best random. Before 1902, the Temple is in the hands of the High Priest of the Kumbalaris. At the time of the earthquake this was one Sharan Kang, an impressively unpleasant individual. No one knows what happened to Sharan Kang after the earthquake. (see The Warlord of the Air for more details)
There are various places, where, if the right conditions are met, one can cross over to the closely related scales known as the Mittelmarches. Some of these can only exist under certain circumstances, and at certain times of the year. One exists in or near the city of Mirenburg around the time of the Autumnal Equinox, and leads to an alternative Mirenburg that exists in perpetual twilight, known as the City in the Autumn Stars. Another gateway exists in the side of a mountain near the city of Hamelin. This leads to the realm of Mu-Ooria, inhabited by a peaceful Eldren race known as the Off-Moo. Near Crema, in Eastern Europe, there exists a gate to a realm where the Carthaginians defeated the Romans, conquered Europe and converted to Judaism. Intersections with the Mittelmarches occur in most countries in Europe. Seasons in the Mittelmarches run contrary to those on the Earth, so that when it is summer on Earth, it is winter in the Mittelmarches, and vice versa. (See The Warhound and the Worlds Pain, the City in the Autumn Stars and the Dreamthief’s Daughter, amongst others, by Michael Moorcock for further details).
The Seas of Fate and Eternal Tanelorn
I am not sure if it was at that point, or at some later time, in another dream, that I found myself standing upon a rocky beach looking out into an ocean shrouded in thick mist.
At first I saw nothing in the mist, then gradually I perceived a dark outline, a ship heaving at anchor close to the shore.
I knew this was the Dark Ship.
“Prologue”, the Dragon in the Sword
While most planes intersect with at least one or two others, only the area of equilibrium know as the Seas of Fate or the Grey Fees intersects with them all. The Fees stand at the centre of everything, intertwining with every plane, every branch of the moonbeam road between the worlds, every timestream in existence; and yet the Seas of Fate surround all the myriad planes of the multiverse and some (including the Captain the Dark Ship) have hinted that the seas know other, stranger shores than “our” multiverse. The reason the Grey Fees are so called is not because of their colour or nature - far from it - but because they’re an area of perfect Balance, where Law and Chaos, Black and White are evenly distributed. They are the nearest thing the multiverse has to a perfect plane. The Grey Fees change according to how you perceive them, but it is fair to say that for one who would approach the Grey Fees as a friend, the Fees always appear as the best possible environment or place for that person to be: see Oona’s cottage in “The Dreamthief’s Daughter” (The Dreamthief’s Daughter II, 13). And yet, when Elric journeys to the end of time, the space between planes is described as Limbo – a hostile and deadly void in which he could be lost for eternity.
The Grey Fees meet with the planes in the Eternal City of Tanelorn, the inevitable destination of all those who truly long for balance and peace. As long as Tanelorn exists, equilibrium - and therefore the hope of peace, if not the reality - can be maintained in the multiverse. It is perhaps significant that Agak and Gagak’s assault on the multiverse was launched from an island in the Seas of Fate apparently haunted by the ghosts of failed Tanelorns.
An attack on the Grey Fees is an attack on the Multiverse itself, and an attack on Tanelorn is an attack on the Grey Fees. Both the Lords of Law and the Lords of Chaos in their aspects of Singularity and Entropy have assaulted Tanelorn many times through the ages, since the maintenance of true equilibrium makes it impossible for Chaos or Law to entertain their ambitions of multiversal conquest.
It should be noted that The Grey Fees are only documented in Michael Moorcock’s fairly recent fiction (first appearing in the Second Ether Trilogy, and being linked to the Elric saga in The Dreamthief’s Daughter). In previous works the space between planes has been more often, and less concretely, described as a sea, on which sails the Dark Ship crewed only by the Captain and his blind brother the Helmsman (See Sailing on the Seas of Fate, the Quest for Tanelorn, or The Dragon in the Sword). The Dark Ship and her crew are described for Elric! / Stormbringer in the Chaosium supplement Sailing on the Seas of Fate. From the invasion of Agak and Gagak foiled by the four aspects of the Eternal Champion in Sailing on the Seas of Fate, it is clear that there are realms beyond the ‘familiar’ multiverse, but whether the serious chrononaut should take the Captains assertion that Agak and Gagak came from a different multiverse at face value is left to the readers judgement.
Getting There (the Hard Way)
The most labour intensive way to get from one plane to another is to break through the barriers by force, either by creating a gate or by building some sort of time machine or plane shifting device. Note that from here on, assume that by “time-machine” we might equally well be discussing a plane-shifting device (albeit the designers and operators of such a device may not realise this…) Although gates and time machines can be created by magic or science alike, they operate on the same basic principles, smashing through the fabric of time, space, and probability in order to get a result. They break the rules, and inevitably create disturbances. With disturbances come consequences, the most important consequence being the Morphail Effect, which is discussed in detail below.
The main difference between most machines and gates is that they are used to travel in different directions. Gates are used to travel to different planes, while most time machines are intended to travel back and forth along the timestream of a single plane. Plane-shifting machines are rare, and time-gates are even rarer, if only because the people who build such things rarely understand enough about the wider multiverse to realise that the functions of such devices are interchangeable.
Time machines come in all shapes and sizes, ranging from the spherical fluid-filled travelling womb of the twenty-first century to the far more sophisticated time craft manufactured by the Armatuce in the ninety-fifth century, which is capable of carrying several people in relative comfort (see “Ancient Shadows” in Legends from the End of Time). Very few time machines are designed to travel to different planes, instead being confined to moving back and forth along one timestream. The problem with this is that by travelling back in time, most time-travellers are going to create paradoxes, unless they are being very careful indeed.
Taragorm and Kalan’s Pyramid Vehicle (from Count Brass) was clearly a sophisticated vehicle capable of travelling both between planes and up and down timestreams, albeit closely related ones. However, it was also erratic and delicate, implying that its ability to slip across planes and timestreams was related to its apparent ability to negate the Morphail effect – at least until things came to a sufficient crisis that, as it were, the Multiverse took note. Scholars might speculate that the Time Winds are a different phenomenon to the Morphail effect, but the evidence suggests that they are very similar phenomena, both being physical and psychic force exerted to re-establish the integrity of the threatened timestream(s).
Gates are far easier to use. Normally, gates are created in order to travel into other planes. They appear in many different ways. A gate might appear as a rip in the fabric of space, through which its destination can be seen, or it might appear as a portal of light, shadow, or hyper dimensional liquid. Whether created through chaotic magic or science, all gates work on the same principle - they simply force the creation of an intersection, across which anyone can step into another scale. The problems with this aren’t quite as obvious - but it should be borne in mind that if a character is going to travel to a closely parallel universe, they may still incur the Morphail Effect. While it’s less likely than it is if the character is just travelling along the one timestream, it’s important to be careful.
Paradoxes
All time travellers run the risk of creating paradoxes - and as a result, falling foul of the Morphail Effect.
Simply put, a temporal paradox results when a series of events which cannot possibly exist without contradicting itself comes into play.
For example, if Jerry, in a fairly normal fit of anarchic self-loathing, went back in time, tracked down his father, and murdered his poor old dad before he (Jerry that is) was ever conceived, a paradox would result. If Jerry kills his father, before his father and mother have a chance to conceive him, the natural result is that Jerry was never born. But if Jerry was never born, then he could not possibly go back in time to murder his father, meaning that he could be born after all. If he could be born after all, then he could murder his father, but…
You get the picture. The murder of one’s own forebears is a fairly obvious example, but paradoxes can result from the subtlest of events. Any change of the past - particularly if the change is important to world history - can create a paradox - Certainly, a character could go back in time and prevent the Nazis from gaining power in Germany in the 1930s, but how do they know that, if history changes, the sequence of events in their life that leads to their getting a time machine is necessarily going to happen? If one were to meet a past version of oneself, or a closely parallel version, who knows what the psychic ramifications could be? And what if a character were to die before they were ever born? Of course, not all of these things are guaranteed to create paradoxes, and, certainly, with some of these situations, there’s a chance that a paradox can be avoided. It should be pointed out that it doesn’t matter if the character is not native to the future - as long as they have been there, they are subject to the Morphail Effect.
Time doesn’t allow these things to happen. The Morphail Effect is a result of time’s resistance to paradox. The moment the timestream detects that a paradox is unavoidable - the moment the trigger is pulled, the noose is tightened or the corner is turned, the Morphail Effect kicks in and the paradox’s culprit is flung to a future era or another timestream entirely.
The Morphail Effect
The one resident of the End of Time who called himself a scientist, Brannart Morphail, discovered through conversations with the many time travellers who have found themselves at the End of Time that time frankly resists being meddled with. With characteristic modesty, he called this the Morphail Effect. Morphail’s theory is fairly simple: Time doesn’t allow anyone to travel backwards.
Backwards movement across time is possible, but staying in the past is not. Within a few minutes of arrival in the past, time snaps back into place like a rubber band, flinging the traveller back into the future. Usually, this means that the traveller overshoots, ending up in their future, rather than in their past. Sometimes, victims of the Morphail Effect disappear from the timestream altogether, no doubt erased completely from the timestream. Worse still it also means that if the traveller has been to the future and knows what the future will be like they will no longer be able to travel to their own time. Most chrononauts end up going ever forward against their will. Most eventually end up at the End of Time.
The Morphail Effect cannot be avoided. Attempting to resist (by propelling a time machine against the effect, for example) is dangerous, since time will violently react, creating intense chronological friction. The heat produced by this friction is enough to reduce most beings to cosmic ash. “Ancient Shadows” in Legends from the End of Time describes the phenomenon.
Some time-travellers do find themselves able to remain in the past for a short time, but, since they will inevitably find themselves in a position where a paradox will inevitably be created, time will eventually resist and propel its hapless victim forward, with or without his time machine. The more one travels in time, the further forward one ends up going. Most time travellers end up dead or at the End of Time, where they get snapped up by the decadent inhabitants of that era as collector’s items.
What Brannart Morphail Doesn’t Know
Although it is commonly regarded as a Well-Known Fact among most time travellers, the Morphail Effect isn’t nearly as incontrovertible as Brannart Morphail thinks.
There are quite a few ways to avoid the Morphail Effect, actually - they’re just not very well known. Morphail won’t be contradicted, however. In fact, while people have tried to tell him otherwise, he hasn’t believed them, even when faced with plain evidence. First, Morphail never realised that there are alternative timestreams. Those people who appear to have been erased from time have in fact been flung effectively sideways in time, into a different timestream altogether.
While the Morphail effect still applies to a degree across parallel timestreams, it is a lot harder to create a paradox. It may be possible to get away with changing a parallel history, at least for a while, providing that the plane is far enough away from one’s own and that it doesn’t cause a massive disturbance in a timestream’s history.
Second, Morphail didn’t know that some people - those born with a natural ability to travel in time - are at least partially immune to his Effect. In fact, the Morphail Effect only really applies to people who use machines to travel through time. Time machines tend to get their results using brute force. On the other hand, people who have a natural ability for travel across timestreams and planes travel with time, exploiting natural currents and gaps in the megaflow.
If they are very careful, these natural time travellers have the ability to remain in the past indefinitely. This depends upon them blending in so well to their new era that they temporarily forget that they are not natives. Many time travellers can even induce a kind of amnesia in themselves at will; others merge with their other selves in other parallels, allowing them to operate without the Morphail Effect happening at all.
Morphail’s third mistake is to assume that time runs in a nearly infinite straight line with a beginning and an end. Actually, it’s cyclical, meaning that if one were to travel far enough, one can overshoot. Although risky, since it is very easy to end up overshooting into the wrong timestream, this is the easiest way to travel into the past, since time can be fooled into thinking that one travelled forwards, even though ones destination is the past. Great care also needs to be exercised with this technique because, as the fall of the Doomed Folk shows, there can be substantial differences between cycles.
The Morphail Effect is both wider and subtler than Morphail suspects. His theory is correct that the phenomenon is time’s way of repairing itself, but what that really means is that time avoids paradoxes and will not allow the impossible to happen. But there are always exceptions: while one can’t theoretically die before one has been born, the variations in some timestreams mean that time simply isn’t comparable in some places. While a traveller technically can’t meet them self, it’s certainly possible that alternate versions of oneself may be so different that meeting an alternate aspect may, in some circumstances, not be a problem: Oswald Bastable, Karl Glogauer and Jerry Cornelius are all indicated at times in Michael Moorcock’s works to be incarnations or versions of the Eternal Champion or his Companion, and all are in the League of Temporal Adventurers, and frequent the Time Centre. But in contrast, Jhary-a-Conel’s reaction to the three aspects of the Champion considering staying together, or seeking the same version of Tanelorn suggests that some individuals must always be cautious: “A look almost of terror spread over Jhary’s features then. He said sadly: ‘My friend – already much of time and space is threatened with destruction. Eternal barriers could soon fall – the fabric of the multiverse could decay. You do not understand. Such a thing as has happened in the Vanishing Tower can only happen once in an eternity and even then it is dangerous to all concerned.’” The King of Swords III, 2
Of course, while changing the past history of ones own timestream is Right Out, it may sometimes be possible to radically change the history of a parallel stream without triggering the Morphail Effect.
Spot Rules for Time Travel
Using a Time Machine
Time machines can be anything from fairly straightforward and user-friendly to insanely complex - but most operate on the same basic principles: one sits in the machine, sets the temporal and spatial co-ordinates one wants to arrive at, and presses the button/pulls the lever/flicks the switch. Simple.
For most time machines, the real difficulty lies in getting the co-ordinates right before even leaving. Under normal circumstances, a successful Million Spheres or Timestreams skill roll will enable a chrononaut to get to his destination in one piece. Failure indicates that the time machine ends up in the wrong era and the right plane, or the right era and the wrong plane. A fumble might mean that the chrononaut has ended up in a plane and/or era that is so far from the intended destination it is completely alien. If a fumble has occurred, the hapless chrononaut’s player should roll again - failure indicates that the time machine has broken down and needs to be repaired (see the Appendix to this Article: Weird Science for ways to deal with building and repairing time machines). Most fumbles end up at the End of Time.
If the GM is in a particularly nasty mood, she should feel free to make the roll secretly and allow the time-traveller to find out for himself if he ended up in the right era or scale.
Of course, all too often the circumstances under which a time-traveller has to operate are anything but “normal”. If trying to operate time machine in a hurry, or in a dangerous situation (like, for example, trying to operate a time machine which is teetering on the edge of a bottomless chasm), the GM should feel free to impose a penalty (of say 10-30%, or perhaps halving the PC’s skill before rolling) on the initial Million Spheres/Timestreams roll.
Some Time Machines have controls that enable their users to adjust their speed and direction through time. A character that is using one of these machines has the chance to rectify an error in setting coordinates. If the original roll failed, a chrononaut using a time machine with controls can, with a successful Pilot skill roll, end up in the right place, or turn a fumble d roll into a simple failure.
The GM should consider in advance the issues of fuel and frequency of use: does the time machine require fuel (and if so is it as mundane as petrol, or something exotic like powdered Beryllium?) and how frequently can it be used? Do delicate crystal components require several hours (days?) retuning between uses, or can the vehicle be re-used indefinitely at a moments notice? In general, in the “core” Eternal Champion stories (the Elric, Hawkmoon and Corum saga’s) it is an occasion of some moment when characters successfully travel the planes, especially in any significant fashion. In other Moorcock fiction (the Second Ether Trilogy or the Dancers at the End of Time for example) such travel is more commonplace. Individual GMs should make their own decision based on what they think will suit their campaign. But as a general piece of advice, given how much easier it makes the GM’s life to have plane hopping at a minimum, keeping Time-travel difficult, unpredictable and risky is the wisest course, unless one is fully prepared.
The Morphail Effect
The Morphail Effect comes into play when time’s rules are violated. For people without immunity to the Morphail Effect, travelling back in time in a time machine is enough to trigger it. The moment that a character that is not immune to the Effect arrives in a past era using a time machine, he must roll POWx1 or be flung into the future and possibly into a different scale. If he succeeds, he must roll POWx1 every few minutes until he is ejected. If the era is in a different plane, things are a little easier.
Arriving at an historical era in a different plane, a character needs to make a Luck roll (POWx5) to avoid the Morphail Effect on arrival. Every time a paradox looks like it might happen, like a change of history, meeting of oneself, death in a past era etc, the chrononaut must make a roll to avoid the Effect - the first time after arrival rolling POWx5, the second rolling POWx4, and so on until the fifth time and every subsequent time, when the character has to roll POWx1 to avoid being rejected by the timestream and propelled somewhen else.
No matter how lucky a time-traveller is, if he finds himself in a situation where a paradox is definitely going to happen (so, for example, going back to before he is born and causing enough hit points of damage to his own father to kill him, or if you are likely to meet yourself in the same aspect) the Morphail Effect automatically kicks in and sends him flying through time.
Where he ends up is technically random, but since it’s impossible to randomise an infinite Multiverse, the GM is advised to simply wing it. A good start is to have a few eras lifted from Moorcock novels handy in case of this happening. Further advice is provided in Appendix Two.
Innate Time Travel: Shifting
Some characters have a natural affinity for the timestreams, allowing them to travel backwards, forwards and sideways across time without difficulty. Very few characters are so blessed, although characters with this ability do tend to find themselves flung together by Fate. Ultimately, it’s the GM’s call as to whether her characters have this ability, but if they do, it’s probably sensible if all the characters in the group are so blessed. Vadhagh have this ability automatically in Darcsyde’s excellent Corum supplement: GM’s are recommended to consult this work if at all possible.
A character that discovers that he has an innate ability to travel through time can develop the Shifting skill, which has a base chance of POWx2.If he knows when and where he is going; all a chrononaut needs to do is to make a Shifting roll to get there. Shifting across time and planes can appear to an outsider in many different ways - the chrononaut might conjure up a hole in space-time, locate and step onto a moonbeam road, or simply vanish. The amount of time it takes to shift across time and scales varies, depending upon how favourable the flow of the timestream with its tides and eddies are to the traveller - as a result, a Shifting attempt normally takes 1D8 rounds.
The Shifting skill roll may be influenced by different circumstances. If trying to do something else while shifting (like parrying a blow, for example), or having to shift without thinking about where one wants to go, there could be anything from a 10-50% penalty on the Shifting skill roll (this is the GM’s call).
A failed Shifting skill roll simply means that nothing happens and the chrononaut has to stay in the same place and time for at least another 1D8 rounds after the attempt failed. A fumble means that the chrononaut is flung somewhere drastically different from where she should be. Again, where exactly is up to the GM.
Shifting probably ought to consume magic points, at the GM’s discretion. In Corum it costs 5 magic points per round simply to shift to an adjacent plane (as Corum does to avoid the further attentions of Earl Glandyth and his men at the beginning of the Knight of Swords). Again, a GM should consider in advance the nature of her campaign and how easily she wishes characters capable of Shifting to be able to use their skills and the scope of the skill. In a free-wheeling, multi-planar campaign, it may only cost a few magic points to shift oneself permanently to another plane. Alternatively, in a typical Young Kingdoms campaign it is generally impossible to “phase out” as Corum does and any journey to another plane requires the intervention of substantial magic; as in Elric’s encounter with the Dark Ship (Sailing on the Seas of Fate) or the device of the Doomed Folk Theleb K’aarna uses to summon the reptilian men of Pio (“Three Heroes With a Single Aim”, The Sleeping Sorceress III, 3).
Innate Time Travel and the Morphail Effect
As far as the Morphail Effect is concerned, characters with a natural aptitude for temporal travel have an easier time of it, on the whole. On arrival in a past era, a character with the innate ability to travel through time only needs to roll POWx10 to avoid being rejected, and then POWx10 the first time a paradox might look likely (a change of history, for example), POWx9, the second time, and so on down to POWx1 the tenth and every subsequent time. Of course, when a paradox is definitely going to happen, the culprit is flung out of the timestream, just like everybody else, temporal affinity or no temporal affinity.
Example: Oswald Bastable decides that the only way to stop the bomb going off in the British Consulate is to travel a few minutes in the past. His Shifting skill is 55% and he rolls 39, a success. Rolling 1D8, he can tell that he will only take 2 rounds to shift. However, as he runs into the consulate, he nearly runs into his past self, as of ten minutes ago, coming out. Time doesn’t allow you to meet yourself in the same aspect, and this makes Bastable vulnerable to the Morphail effect. The merciful GM allows Bastable a Luck roll to see if he can avoid his past self’s notice by diving behind a bush. Unfortunately, poor old Oswald rolls 98, and bumps straight into himself, creating an irreparable paradox and flinging him into another timestream entirely. Oh dear.
Example: Oswald, having learnt his lesson, is now in another timestream, where he has the opportunity to stop the Nazis’ attempted invasion of Britain in an alternative 1940. He succeeds. Because he has seen many, many futures at this point, he might create a paradox in doing so. This is actually the sixth time that he has found himself in this situation while in this particular timestream, so he needs to roll POWx5 to avoid creating a paradox and being flung out of this period. Bastable’s POW is 15, so he needs to roll 75 or less to succeed. He rolls 52, thus allowing him to meddle with history on this plane for a little longer.
Innate Time Travel: Elective Amnesia and Merging with Alternate Selves
Most chrononauts who are lucky enough to have an innate ability to traverse the scales learn to avoid the Morphail Effect by a number of techniques.
The most common of these is the tactic of developing elective amnesia, through which the time-traveller deliberately becomes so immersed in the identity she assumes when she arrives in a scale that she forgets she was ever anyone else, anywhere or anywhen else. Elective amnesia comes naturally to most advanced time-travellers, and does not need to be taught by anyone, although a chrononaut must have a Shifting skill score of 40% or more before she can attempt to try it.
The other common tactic is to merge with the parallel versions of oneself that exist in the different scales, joining life-forces and splitting identities until it’s time to move on. Merging is a fairly advanced skill. Although fairly natural, it can only be attempted by a chrononaut with a Shifting skill rating of 65% or more, and only after a more experienced time traveller has showed him how to do it.
In both cases, while the chrononaut’s personality is subsumed in that of an alternative version of herself, she will still work towards whatever motivation brought her here in the first place. This doesn’t usually create much conflict, because the concerns of most parallel versions of oneself are normally working to similar concerns anyway, albeit in unfamiliar settings.
Both methods of avoiding the Morphail Effect work roughly the same way in game term
Chaosium has announced that Basic Roleplaying is about to be sent to the printers for a May 2008 release. Basic Roleplaying now has a new cover by Paul Carrick and I must say it looks pretty good.